I didn’t start out with glass — I started out on a stage.

I grew up dancing, singing, always standing tall in a crowd. But over time as life happened, my confidence slipped. I softened my edges, dimmed my light. And somewhere in that shift, I lost the woman I used to be.

But one thing stayed constant: creativity.

In 2004 I started making jewellery — designing pieces I couldn’t find anywhere else. I loved working with wire and glass beads, but I wanted more than what was available to everyone. I wanted to make the pieces I dreamed of.

So I picked up a torch and tried lampworking — just to make my own beads. But what followed changed everything.

Within a few years, I’d developed a signature technique: melting glass directly onto wire, shaping botanical forms, and wrapping them into bold, sculptural jewellery. Collars, brooches, wild pendants — all designed by hand, all unlike anything else I’d seen. That was my aha moment.

This was no longer just a sideline. It was mine — my voice, my process, my way of standing out again.

Today, my work is an extension of that rediscovery. Glass is a material of contradiction — strong yet fragile, solid yet transparent, industrial but beautiful. It reflects everything I love about the women I create for: bold, unique, layered, impossible to overlook.

My studio is my happy place. The flame, the movement, the transformation — it’s meditative and creative, and I know I’ll never master it. That’s the point. This work satisfies my soul.

Now, I make glass flowers and statement jewellery for women like me — women finding their voice again. Women who want to feel powerful, beautiful, and fully themselves.
Women who refuse to fade.